Post Script, 18x24” oil on canvas. 🔴SOLD. Another revisit from 2021, but some new thoughts.
Photo 2: a v large custom 5’ canvas print!
Photo 3: “The Enchantress” a fav from the Nat’l Museum of Wildlife Art
☝️DM for custom prints / originals
This was a series of 3 letters painted to put back together the pieces of a broken heart.
But being around all these bears in Jackson Hole and these incredible wildlife painters at national wildlife museum, I’ve been considering these a bit more.
When I look at paintings with images of mythology, I just feel that there’s a story that is common to everyone - but we may not even know the story. There’s something to it that’s universal to our subconscious and painting about that… is finding our way back to through history to our origins. When I see a painting or hear a song there’sl this feeling of ‘Ah, yes, that there is in my bones,’ Sort of like cave art, you don’t understand what happened but you know it to be truth and there’s a magic to that.
I would like to trace that gray area in my own work. These aren’t spun tales, I want truth in it.
Animals have a huge part in who we are. I think Nietzsche said something about the truth of the dream life of animals-and thats what I’ve been more curious about as well.
I seldom remember my dreams but in January 2020, I had a vivid encounter following a crowd of polar bears into the sea and I knew if I followed them I’d probably drown. But I wasn’t afraid.There was just acceptance, like “oh ok this is how I’m going to go out, but this darkness I’m going into doesn’t feel like a bad thing and there’s a familiarity to it that is strangely comforting. I’ve been here before.”
And I woke up with that feeling that it’s okay to revisit this place, it didn’t actually drown me the first time. It’s okay to remember these bears. And it’s okay to follow them to that dark place they made lead.
Aliza and Her Monsters